Thursday, 12 January 2017

Watch Moana Free Online

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Watch Moana  Free Online In Hd

Moana is a 2016 American 3D computer-animated musical fantasy comedy adventure film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. It is the 56th Disney animated feature film. The film was directed by Ron Clements and John Musker,[7] and co-directed by Don Hall and Chris Williams.[8] The film features music written by Lin-Manuel Miranda, Opetaia Foa'i, and Mark Mancina.[9]

Featuring the voices of Auli'i Cravalho, Dwayne Johnson, Temuera Morrison, Alan Tudyk, Rachel House, Nicole Scherzinger and Jemaine Clement, the film tells the story of Moana, the strong-willed daughter of the chief in a Polynesian tribe, who is chosen by the ocean itself to reunite a mystical relic with a goddess. When a blight strikes her island, Moana sets sail in search of Maui, a legendary demigod, in the hope of saving her people.

Moana was released theatrically in the United States on November 23, 2016 in Disney Digital 3-D, RealD 3D, D-Box, and premium large formats. The film, along with Zootopia, marks the first time since 2002 that Walt Disney Animation Studios has released two feature films in the same year. The film received critical acclaim, with particular attention directed to its animation, music, and voice cast. The film has grossed over $451 million worldwide.

A small pounamu stone that is the mystical heart of the goddess Te Fiti is stolen by the demigod Maui, who planned to give it to humanity as a gift. As Maui made his escape, he was attacked by the lava demon Te Kā, causing the heart to become lost in the ocean along with his magical fishhook that allows him to transform.

A millennium later, young Moana Waialiki, daughter and heir of a chief on the small Polynesian island of Motunui, is chosen by the ocean to receive the heart. Her father, Chief Tui, insists the island provides everything the villagers need. But years later, fish become scarce and the island's vegetation begins dying. Moana proposes going beyond the reef to find more fish. Tui rejects her request, as sailing beyond the reef is forbidden.

Moana's grandmother, Gramma Tala, shows Moana a secret cave behind a waterfall, where a fleet of outrigger sailing canoes show that their ancestors were seafarers. Tala gives Moana the heart of Te Fiti, which she has kept safe for her granddaughter ever since she was chosen by the ocean, and explains that the darkness unleashed by Maui's theft is now creeping onto the island.

Tala falls ill and with her dying breaths tells Moana to set sail. Moana and her pet chicken Heihei depart in a drua to find Maui. A manta ray, Tala's reincarnation, follows. After a typhoon wave flips her sailboat and knocks her unconscious, she awakens the next morning on an island inhabited by Maui, who traps her in a cave and takes her sailboat to search for his fishhook. After escaping and catching up to Maui with some help from the ocean, Moana tries to convince him to return the heart, but Maui refuses, fearing its power will attract dark creatures.

Almost immediately, sentient coconut pirates called Kakamora surround the boat and steal the heart, but Maui and Moana retrieve it. Maui agrees to help return the heart to Te Fiti, but only after he reclaims his hook, which is hidden in Lalotai, the Realm of Monsters, and held by Tamatoa, a giant coconut crab. They successfully retrieve it. Later, Maui teaches Moana how to properly sail and navigate. They arrive at Te Fiti, where Te Kā attacks. Maui is overpowered and Te Kā severely damages his hook and repels their boat far out to sea. Fearing that returning to fight Te Kā will destroy his hook, Maui abandons Moana.

Distraught, Moana begs the ocean to take the heart and choose another person to return it to Te Fiti. The spirit of Tala encourages Moana to find her true calling within herself. Moana retrieves the heart from the ocean and returns to Te Fiti. Maui, having had a change of heart, returns to distract the lava demon, and the hook is destroyed in the battle. Moana realizes that Te Kā is actually Te Fiti without her heart. Moana asks the ocean to clear a path for Te Kā to approach her. She sings a song and asks Te Kā to remember who she truly is, allowing Moana to restore her heart. Te Fiti returns and in gratitude, gives a new canoe to Moana and a new magical hook to Maui before returning to her island form.

Moana asks Maui to return to her island with her in order to teach her people how to sail again, but Maui smiles and replies that her people already have a master seafarer in Moana. Moana bids farewell to Maui and returns to her recovering island. Later, the villagers begin voyaging and set sail in search of new islands, as Maui and Tala accompany them in their giant hawk and manta ray forms, respectively.

In a post-credits scene, Tamatoa, stranded on his back during Moana and Maui's escape, grumbles that people would help him if he was a Jamaican crab named Sebastian.

John Musker
Ron Clements
Directors John Musker and Ron Clements presented footage from the film at the 2016 Annecy International Animated Film Festival
After directing The Princess and the Frog (2009), Clements and Musker started working on an adaptation of Terry Pratchett's Mort,[15] but problems with acquiring the necessary film rights prevented them from continuing with that project. To avoid a recurrence of that issue, they pitched three original ideas.[16] The genesis of one of those ideas (the one that was ultimately green-lighted) occurred in 2011, when Musker began reading up on Polynesian mythology, and learned of the heroic exploits of the demigod Maui. Intrigued with the rich culture of Polynesia, he felt it would be a suitable subject for an animated film. Shortly thereafter, Musker and Clements wrote a treatment and pitched it to John Lasseter, who recommended that both of them should go on research trips.[17][18] Accordingly, in 2012, Clements and Musker went on research trips to Fiji, Samoa, and Tahiti to meet the people of the South Pacific and learn about their culture.[7] At first, they had planned to make the film entirely about Maui, but their initial research trips inspired Clements to pitch a new idea focused on the young daughter of a chief.[19] They were fascinated to learn during their research that the people of Polynesia abruptly stopped making long-distance voyages about three thousand years ago, then resumed voyaging again a thousand years later, and no one really knows why.[20] They set the film at the end of that era, about two thousand years ago, on a fictional island in the central Pacific Ocean, which drew inspiration from elements of the real-life island nations of Fiji, Samoa, and Tonga.[20]

Over the five years it took to develop and produce the film, Clements and Musker recruited experts from across the South Pacific to form an Oceanic Story Trust, who consulted on the film's cultural accuracy and sensitivity as the story evolved through nine versions.[21] The Trust responded negatively, for example, to a depiction of Maui as bald, and to a proposed scene in which Moana threw a tantrum by throwing coconuts.[19] In response, Maui was reworked with long hair and the coconut scene was scrapped.[19]

Taika Waititi wrote the initial screenplay.[22] The first draft focused on Moana as the sole daughter in a family with "five or six brothers,"[23] in which gender played into the story. However, the brothers and gender-based theme were deleted from the story, as the directors thought Moana's journey should be about finding herself.[18] A subsequent draft presented Moana's father as the one who wanted to resume navigation, but it was rewritten to have him oppose navigation so he would not overshadow Moana.[18] Instead, Pamela Ribon came up with the idea of a grandmother character for the film,[24] who would serve as a mentor linking Moana to ancient traditions.[23] Another version focused on Moana rescuing her father, who had been lost at sea.[8] The film's story changed drastically during the development phase (which happens with most Disney films), and that idea ultimately survived only as a subtle element of the father's backstory.[8] Aaron and Jordan Kandell joined the project during a critical period to help deepen the emotional story architecture of the film. They are credited with developing the core relationship between Moana and Maui, the prologue, the Cave of the Wayfinders, the Kakamora, and the collector crab Tamatoa (played by Jemaine Clement).[25] Jared Bush received sole credit as the writer of the final version of the screenplay.

Like most Disney and Pixar animated films, several major story problems were identified in 2015 only after the film had already transitioned from development into production, but computer-generated films tend to have much shorter production schedules and much larger animation teams (in this case, about 90 animators) than traditionally-animated films.[8] Since Clements and Musker were already working 12-hour days (and Saturdays) directing such a large team of animators, Hall and Williams (who had just finished directing Big Hero 6) came onboard as co-directors to help fix the film's story issues.[8] The scene in which Maui and Moana encounter the Kakamora is an intentional homage to Mad Max: Fury Road.[8]

After the filmmakers sat through auditions of hundreds of candidates from across the Pacific,[7] 14-year-old high school freshman Auli'i Cravalho was cast as the lead character Moana.[26][27] At that point in time, the design of Moana's face and personality was already complete, and Cravalho's obvious physical resemblance to her character was simply a coincidence.[28] During animation production, Disney animators were able to integrate some of Cravalho's mannerisms into Moana's behavior as depicted onscreen.[28] Despite appearing in four consecutive Walt Disney Animation Studios films starting with Wreck-It Ralph, Alan Tudyk was not originally offered a role due to the filmmakers' preference for actors of South Pacific background. However, after script changes, Tudyk was later offered the bit part of Heihei and recorded his audio in less than half a day.[29]

Moana is Clements and Musker's first fully computer-animated film.[7][30] One of the reasons for using computer animation was that the environment, including the ocean, benefited much more from the use of CGI as opposed to traditional animation.[31] The filmmakers have also suggested that three-dimensional computer animation is well-suited to the "beautiful sculpturing" of the faces of the people of the South Pacific.[32] Eric Goldberg worked on the hand-drawn animation used to depict Maui's sentient tattoos.[33][34] During early development, the filmmakers considered the possibility of making the film with hand-drawn traditional animation, but only a few early animation tests were made in that style. In the final cut, only Maui's tattoos are hand-drawn.[35]

Music and soundtrack
Main article: Moana (soundtrack)

The film's soundtrack was released by Walt Disney Records on November 18, 2016. The songs were written by Opetaia Foa'i, Mark Mancina, and Lin-Manuel Miranda, while the score was written by Mancina.[36][37] The lyrics are in English and the Tokelauan language.[38] The soundtrack peaked at number five on the Billboard 200.

Watch Arrival Free Online

In this article we write a complete information hollywood Film Review. In this article we write a list of horror movies missions movies civil war movies based on jungle movies batman movies superman movies Warcraft  movies based on animal movies based on biography drama comedy adventure based on full action movie based on full romance movies based on adventure action and other type of movies details are provide in this article. A good collection of all fantastic movies 2016 are here

Watch Arrival Free Online In Hd

Arrival is a 2016 science fiction film directed by Denis Villeneuve and written by Eric Heisserer, based on the 1998 short story "Story of Your Life" by Ted Chiang. It stars Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg and Tzi Ma.[4]

Arrival had its world premiere at the Venice Film Festival on September 1, 2016, and was released in the United States and Canada on November 11, 2016, in IMAX by Paramount Pictures. The film has grossed $157 million worldwide and was praised for its storyline, atmosphere and Adams's performance. The film was chosen by American Film Institute and National Board of Review as one of the top ten films of 2016[5][6] and has been nominated for numerous awards, including Golden Globe nominations for Best Actress for Adams and Best Original Score

In what appears to be a flashback scene, linguist Louise Banks is caring for her daughter, who dies during adolescence from cancer. In the present, while Louise is lecturing at a university, twelve extraterrestrial spacecraft appear across the planet. U.S. Army Colonel Weber asks her to join a team, with physicist Ian Donnelly, to decipher their language and find out why they have come to Earth. The team is brought to a U.S. military camp in Montana near one of the spacecraft, and makes contact with two seven-limbed aliens on board. They call the extraterrestrials "heptapods", and Ian nicknames them Abbott and Costello. Louise discovers that they have a written language of complicated circular symbols, and begins to learn the symbols that correspond to a basic vocabulary. As she becomes more proficient, she starts to see and dream vivid images of herself with her daughter.

When Louise is able to ask what the aliens want, they answer: "offer weapon". A similar translation "use weapon" is received by one of the other sites. Fear of a potential threat from the aliens leads other nations to close down communications on the project, and some prepare their military for attack. However, Louise thinks that the symbol interpreted as "weapon" might have an alternative translation, such as "tool" or "technology".

Rogue soldiers plant explosives in the spacecraft. Unaware, Louise and Ian re-enter to communicate with Abbott and Costello again. The aliens give them a much larger and more complex message. Abbott ejects Ian and Louise from the craft as the explosion occurs, which leaves them unconscious. Louise and Ian come round in the camp as the military prepares to evacuate, and the spacecraft moves higher above the ground.

Ian works out that the symbols relate to the concept of time, and that it is one-twelfth of the whole "gift"; they conclude that the aliens must want nations to cooperate.

Meanwhile, China notifies the world that its military is planning to attack the spacecraft off its coast. Louise rushes back to the spacecraft, which sends down a shuttle to take her inside. She meets Costello, who communicates that Abbott is dying. Louise asks about her visions of a daughter, and Costello explains that she is seeing the future, revealing to her that her "visions" were not flashbacks but flashforwards. Costello also communicates that they have come to help humanity by sharing their language, which is the "weapon" or "tool" because it changes the mind's perception of time. The aliens know that 3000 years into the future they will need humanity's help in return. They ask her to use her "weapon" - her ability to see into the future.

Louise returns as the camp is being evacuated. She has a new vision of herself at a future United Nations reception, being thanked by General Shang for convincing him to suspend the Chinese attack. He explains that she had called his private mobile telephone. He shows her its number, which he says he knows he must do without understanding why. In the present, Louise steals a satellite phone and calls Shang, but realizes she does not know what to say. Her vision continues with Shang explaining that she had convinced him by repeating his wife's last words in Mandarin, which he tells Louise. The planned Chinese attack is called off and the other nations resume contact with each other, as the spacecraft disappear from Earth.

When packing to leave the camp, Ian admits his love for Louise. They discuss life choices, and whether they would change them if they knew the future. Louise foresees that Ian will father her daughter Hannah, whose name is an intentional palindrome, and leave her after discovering that she knew their daughter would die before adulthood. Despite also seeing that Ian will leave her when she eventually reveals their daughter's future, when Ian asks her if she wants to have a baby, Louise agrees.

Amy Adams as Louise Banks, a linguist
Jeremy Renner as Ian Donnelly, a theoretical physicist
Forest Whitaker as Colonel GT Weber, a senior US military officer
Michael Stuhlbarg as Agent David Halpern
Tzi Ma as General Shang
Mark O'Brien as Captain Marks
Hal Roberts as TV news anchor

Villeneuve had wanted to make a science fiction film for some time, although he "never found the right thing".[8] Meanwhile, screenwriter Eric Heisserer had unsuccessfully been pitching an adaptation of Ted Chiang's short story "Story of Your Life" for years, and by the time producers Cohen and Levine approached him about a potential sci-fi project, he had largely given up on the idea.[9] Cohen and Levine, however, introduced Villeneuve to the novella, which the director immediately took to, although his work on Prisoners meant that he did not have the time to properly adapt it into a screenplay.[8] Cohen and Levine were able to get a first draft completed, which Villeneuve later reworked into a finished script.[8] Villeneuve ended up changing the title, partly because the resulting script became so far removed from the short story, as well as sounding "more like a romantic comedy".[8] Although Villeneuve remembered going through "hundreds" of possible titles, the eventual title was the first one the team had suggested.[8]

Jeremy Renner joined the film on March 6, 2015, to play a physics professor.[10] Forest Whitaker signed on in April 2015, with Michael Stuhlbarg joining as CIA Agent Halpern that June.[11][12] Linguistics professor Dr. Jessica Coon was brought on to consult with Amy Adams.[13]

Principal photography on the film began on June 7, 2015 in Montreal, Quebec, Canada,[14][15] right after Renner completed Captain America: Civil War.[10]

The script used language designed by artist Martine Bertrand (wife of the production designer Patrice Vermette), based on the scriptwriter's original concept. Stephen Wolfram and Christopher Wolfram analysed it to provide the basis for Louise's work in the film.[16] Three linguists from McGill University were consulted. The sound files for the alien language were created with consultation from Morgan Sonderegger, a phonetics expert. Lisa Travis was consulted for set design during the construction of the protagonist's workplaces. Jessica Coon, a Canada Research Chair in Syntax and Indigenous Languages, was consulted for her linguistics expertise during the revision and finalization of the script.[17]

Jóhann Jóhannsson began writing the score as shooting started, drawing on the screenplay and concept art for his inspiration. He developed one of the main themes in the first week using vocals and experimental piano loops.[18] The film also uses the piece "On the Nature of Daylight" by composer Max Richter to open and close the movie.

A teaser trailer was released in August 2016, followed the next week by the first official trailer.[19] Paramount Pictures released a series of promotional posters, with one showing a UFO hovering above a Hong Kong skyline that included Shanghai's Oriental Pearl Tower. The inaccuracy angered Hong Kong social media users. The posters were withdrawn and a statement attributed the inaccuracy to a third party vendor.[20]

In May 2014, Paramount acquired U.S. and Canadian distribution rights.[21] Shortly after, Sony Pictures Releasing International and Stage 6 Films acquired some international distribution rights.[22] The film had its world premiere at the Venice Film Festival on September 1, 2016.[23] It also screened at the Toronto International Film Festival,[24][25] Telluride Film Festival,[26] and the BFI London Film Festival.[27] The film was released to theaters on November 11, 2016.[28][29]